Sakie Satō - Interviews With Monster Girls Issei frequently refers to Koneko as a “work in progress” (referring to her petite bust), which often results in a harsh thrashing. She takes offense when people refer to her as a midget or a “flat” (with reference to her chest size). Her monster-like strength, despite her diminutive stature, is why she’s our hero. I mean, who doesn’t want to be like that! In addition, she is the one who punishes Issei the most severely when he engages in depraved behavior. Koneko Toujou is our fifth-place pick because she is able to withstand difficulty or suffering without exhibiting her emotions or complaining. Honestly, aren’t we all like this to a degree in some capacity? Her honesty is something to be applauded. Our favorite thing about it is how self-assured and unconcerned she appears.
Harunalikes loves to label herself a ‘genius,’ despite the fact that most of the things she does don’t work out. With top of all that, she appears to be fixated on making perfect fried eggs (and really, who doesn’t enjoy fried eggs?). We love anime because of characters like Haruna (thus the gif!). And if someone hurts a loved one, she will kill them in cold blood, unreservedly, without remorse. With her plump physique and hip-length black hair dyed blue (or tied back in a ponytail and decorated with an adorable pink bow), Himari Noihara commands the admiration of both men and women.Ĭat-like skills (such as superhuman strength, agility and endurance) as well as considerable knowledge and the infamous “berserker mode” make even the best unconventional warfare specialists look like one-hour-old pups, but she is still a formidable swordswoman. Here’s one of our all-time favorite anime monster girls… actually plunging her teeth into life!
We consider Lala an animedeity for monster females because of her unfailing optimism and compassion.
Lala, on the other hand, is pure and innocent, never judging or looking down on anyone else. Our admiration for Lala Satalin Deviluke is primarily based on her unwavering enthusiasm for her work.įor Lala, it’s a passive exploitation of “I reject your reality and substitute my own,” and we’re all for it!
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